“But We Love Martha Jones!” - The Doctor Who Fandom’s Selective Memory of Racism
Be aware that this article contains explicit examples of anti-black racism and misogynoir.
This essay is a reupload from Tumblr, originally posted 17/11/2023
Intro
To say being a Martha Jones fan from 2007-2017 was hard would be an understatement. The fandom claimed she was too clingy. Too jealous of Rose. Too bitter. Too bad a companion. For as long as I can remember, Martha Jones wasn’t just an unpopular companion - she was THE unpopular companion. So this recent increase in “my issues with [insert companion of colour here] isn’t about race. Everybody loved Martha Jones!” has me raising an eyebrow. Freema Agyeman as part of Ofcom’s Diversity In Broadcasting Event answered a question on her time as Doctor Who’s first Black companion. She describes her time as “good and bad”. She handled the criticism of Martha as a character “but the racism… yeah, yeah couldn’t rationalise that” as she pauses in the video. In the silence we get a clear answer - Freema Agyeman did not have an easy time as Doctor Who’s first Black companion. So when I see comments about how much she was loved, or how no one knew what Freema was going through when speaking out about the racism she experienced, or “My sus posts about Ryan & Yaz aren’t racist! I loved Martha!” I, and many other Black/mixed Black fans and other fans of colour have bad tastes in our mouths. We remember the real history of how Martha Jones was treated - and her history wasn’t a kind one.
Chapter 1 - Everybody Hates Martha
Contrary to now popular Whovian belief, no, the fandom didn’t like Martha at first. In fact, most Martha praise wouldn’t come until years after her exit. The issue came from the “Rose shadow” of RTD1. Rose’s traumatic exit hit Ten like a truck and this echoed throughout The Runaway Bride. The episode beautifully covers the stages of grief; his denial as he forgets he can’t have another Christmas on the Powell Estate; his anger at the Racnoss; his bargaining as he reminisces good times with Rose; his depression knowing her can’t get her back and eventual acceptance - ending the episode with a solemn “her name was Rose”. On paper, this was the perfect closure Ten needed for Rose and a lovely way to say goodbye to her even in her absence. But her shadow still covered the rest of S3 and S4. And not in a good way.
From the jump Ten tells Martha she could never replace her but mind you, Martha never claimed she would, but the fandom acted like she did and was. Her presence is mentioned throughout S3: the “not that you’re replacing her” in Smith and Jones; the “Rose would know” in Shakespeare Code; Ten taking Martha to the New New York slums in Gridlock when Rose got “glitter and cocktails”; the ink drawing of Rose popping out of Ten’s subconscious through John Smith in Human Nature/Family of Blood to Jack and Ten’s convo about her in Utopia to even the Master in Last of the Time Lords, calling Martha useless for not absorbing the Time Vortex like a certain companion. Can you guess who she is? Martha to this day is the only companion to be treated as the rebound to a previous companion and this bled into the fandom. Despite Donna’s growth in Partners in Crime working so well because of her growth after The Runaway Bride, it was still a common sentiment to “wish we went straight from Rose to Donna”. The S4 writing didn’t help Martha’s case either. Ten tells Donna about the crush and other “complications” while conveniently leaving out the mixed signals he sent to her. Plus, he admits his mistakes to well… Donna, and not to Martha’s face despite sharing three whole episodes with her. Martha spent those episodes being a host to a Sontaran clone and being kidnapped by the Hath so the “I’m sorry for underestimating you and comparing you to my previous companion, Martha Jones” never came out of Ten’s mouth. The show’s insistence on Martha as the “failed Rose replacement” gave the fandom great excuses to attack her and welcome a mountain of bad faith criticism that haunts Martha Jones discussions to this day.
It doesn’t matter Martha saved the Doctor with CPR in her debut episode, used the Gamma Strike to defeat the pig men on the spot, saved John Smith, Joan and the rest of the village from the Family of Blood despite how racist they all were towards her, came up with the right word to banish the Carrionites on the spot, got the DNA sample needed from Lazarus and distracted him for Ten, got the 42 crew to dump the sun particles in the fuel, warned Ten about Yana’s watch and most importantly, stayed alive in one of humanity’s most hellish years to restore the Doctor and defeat the Master - she was incompetent.
It doesn’t matter Martha never attacked, belittled or actually insulted Rose but was rather tired of being put down for her instead, or the fact Rose within minutes of seeing Martha said “I was here first” and “Who is she?” with disgust - Martha was jealous and bitter.
It doesn’t matter Ten kissed her for a DNA sample despite her cheek, forehead and hand being available, knew about Martha’s crush and still acted oblivious post-Smith and Jones, hugged her then blamed her for said hug, lied to her about Gallifrey but told Rose the truth in her 2nd episode, called her a novice and literally screamed in her face in Utopia - Martha 100% to blame for the failed TenMartha friendship but not our unproblematic fave Ten.
It doesn’t matter Ten was willing to protect and travel with Donna in The Runaway Bride minutes after losing Rose and Eleven having no issue welcoming Clara after watching another version of her, Amy and Rory die in front of him - Martha had to be belittled by Ten because of grief.
It doesn’t matter Rose and Donna, then Amy and Clara in the Moffat era would need supernatural intervention to gain their titles, or that Rose and Donna needed Ten’s help a few times in their series - Martha had no agency.
It doesn’t matter Ten fell in love with Rose, Madame de Pompadour, Joan Redfern, Queen Elizabeth I, River Song, Astrid Peth AND Lady Christina, or RTD1’s insistence of (heterosexual) romance being the most human trait of humanity (which is a whole other conversation) - Martha’s romantic feelings were a flaw she needed to correct.
It doesn’t matter Rose, Amy and Clara would fall in love with the Doctor to the point of being willing to abandon their families for him, forcibly kissing him or trying to be him - Martha was the clingy one.
It doesn’t matter Professor Yana’s drumbeat began before he met the gang because it was Martha’s fault the Master came back too apparently. Remember little Tim Latimer stealing the fob because it was reaching out to him? The fans didn’t because Martha was blamed for losing the fob too! Martha’s not a flawless person but it can’t be denied Martha was critiqued for moments that were out of her control. From various nuanced plot points where she was a victim of circumstance to lacking hindsight she literally couldn’t have had because she wasn’t in S1/S2, to being disliked for doing the exact same things her white female counterparts did, it’s highly unlikely the Martha Hate Train was born from constructive criticism.
Chapter 2 - Utopia-ish
The constant nitpicking of Martha Jones for reasons white female companions could get away with was blatant anti-black racism. Let’s get that bit clear first and foremost. As a Black person in fandom, watching Black characters get torn apart while never being given the grace of their non-Black castmates is an experience that’s too common. Microaggressions are more subtle so the easiest way to shut down any mentions of racism is to accuse Black fans of making things up or telling us “Well it’s not like REAL racism”. Luckily Doctor Who Tumblr birthed the Martha Jones affirmative action and Aunt Jemima “memes” so I can cross both covert and overt racism off the list. As mentioned in extensive detail in the previous chapter, plus the various Martha Jones articles written before me, the treatment Martha experienced was racist. I don’t care if you personally didn’t like her. I don’t care that you missed Rose. I don’t care that Ten is your smol bean. Martha’s treatment was racist. Freema Agyeman’s treatment was racist. It might not have been everyone. It might not have been you personally. But it was there. The fandom can never be a safe space for POC, specifically Black people if this elephant in the room can’t be addressed over a decade after it arrived.
On paper, you’d assume Martha’s rep was good because “at least she wasn’t a Black stereotype”. Some fans praised her for having a present father, not speaking MLE and not being from the ends. This goes into respectability politics but the fandom’s weirdness about Black Brits and class is not the point of this article. The point is the revisionist history of how Martha was really treated and to do that it helps to know what Black tropes are. The Mammy trope is a Black woman whose main purpose is to serve her white counterparts and during slavery, she mainly cared for the slave owners’ children. She is usually fat, dark skin and asexual, not as a representation of those things but as a statement of how if she isn’t used for sexual exploitation like the Jezebel (the promiscuous, reckless, sexualised Black woman), she has no sexual value at all. Her value is serving the needs of others only. Martha doesn’t fit this trope in theory but in practice, she fulfils the sub-categories of this trope both in show and fandom: the disposable Black (girl)friend trope. She is used as Ten’s emotional punching bag before he’s ready for Donna and then Rose again. She had to endure edgy moody S3 Ten so no one else had to. She’s the excuse people use to deflect any critical analysis of how race was handled in RTD1. She’s the fandom’s excuse to deflect from their own racial biases. Racism? No way! Everybody loves Martha Jones! What do you mean?
Some parts of the fandom have tried to mend things by suggesting Martha be paired with other doctors or romantically shipping her with other characters a bit better than Mickey Smith. But does this hold up? As much as I’m a big fan NineMartha as a concept and as someone who honestly saw one-off characters like Riley Vashtee from 42 or Tallulah from Daleks in Manhattan having way more romantic chemistry with Martha than Mickey ever did, simply re-shipping Martha isn’t enough. Doctor Who’s racism isn’t exclusive to one doctor, one series or one era and new Martha pairings suggest the issue was “right person, wrong doctor” instead of what the issue actually was: racism. Moffat and Chibnall’s eras weren’t full of golden Black representation either so I doubt the Martha issue would’ve magically disappeared under those two. From Nine’s hostility to Mickey, to Twelve’s hostility to Danny Pink to Thirteen handing a South Asian Spymaster to the Nazis and Eleven only travelling with POC in comics most fans haven’t heard of and being besties with Churchill, simply putting Martha with another Doctor isn’t the serve fans think it is. Even RoseMartha seems like putting a bandaid on a bullet hole. If it’s not enough for Martha to be compared to Rose, put down in favour of Rose, told she isn’t Rose and told she’s worse than Rose in fandom and in show over and over and over, she has to be shipped with Rose too. Martha’s a great character… as long as you can tie her to Rose… again. Even in my own article I have to talk about Rose because Rose is centred in what was supposed to be Martha’s story. A doctor-to-be Black girl from London with a hectic family meets a Time Lord and gets abducted by space rhino police at work in one day. Her main conflict isn’t balancing work and time traveller life, or fighting to get her family back together, or seeing what’s out there in the universe - it’s that she isn’t “Rose” enough. The Mammy and her sons’ main thing in common is simple; how well they serve and centre the white characters. In attempts to mend Martha’s treatment she is still only valued in relation to white characters. She should’ve been with Eleven because he would’ve fucked a Black woman. Or maybe Dilfy Twelve. Or a sapphic romance with another female companion who she saw twice or doesn’t actually know. Or maybe Ten in an alternate universe where he supports #nubianqueens. None of this is done to explore sexuality or romance with Black women and is definitely not to centre Black lesbianism and bisexuality. It’s Mammy with a dash of Jezebel. It’s adding romantic and sexual value on top of physical and emotional value like a crappy meal deal.
I’m tired of Black women being treated as extensions of white women both in media and in real life. I’m tired of our value being determined by how well we serve white people emotionally, physically, platonically and sexually. And I’m even more tired of white feminism especially in this fandom. It would be so easy to label this article as anti-Rose, anti-Ten or anti-Tenrose to invalidate my whole racial analysis because it’s the easy way out. I’ll admit I like both characters individually but not the ship but this isn’t something I decided on since birth - it’s my conclusion as a Black fan in a predominantly white fandom, watching a predominantly white show, watching the first companion of my race be told she isn’t good enough compared to the white characters, and that the hatred of her is justified for the greater good of its popular white ship. Black fans can never have this conversation without being told we’re “pitting women against each other” and that Martha and Rose hugged once in S4 so everything’s hunky dory. Martha’s happy that Ten found Rose again so what’s the problem? It sends a clear message that Black women’s pain will never matter a much as white women’s feelings. “Rose is amazing! Martha’s amazing! Stop pitting women against women!” but who was pit against who in the first place? These faux girl power posts fail to acknowledge the overlap of race and gender which separates the treatment of Black and white women. It fails to acknowledge Martha’s hate was rooted in anti-black racism. It fails to acknowledge the anti-Rose pushback was in response to how the show and fandom convinced us Rose was the untouchable bar this Black woman failed to meet. It fails to acknowledge Freema Agyeman the actress was targeted not just her character. It fails because the female empowerment rhetoric that leaves the Black ones at the bottom of the pile only “empowers” women of a certain demographic.
The harassment Martha experienced was swept under the rug of “stan wars” but it was so much deeper than that. I’m not saying Martha stans are angels but there was no “Great Stan War” because the sides were never even. At the end of the day no amount of “Martha’s better than Rose” tweets will ever compare to the fact that Martha hate was rooted in misogynoir. Rose was and still is considered the greatest companion of nuwho, whilst Martha is constantly erased and undervalued. Rose’s video views and hashtags have always been bigger than Martha’s. Amy and Clara came after Martha but still surpassed her in popularity and got plenty of fan edits of “The Girl Who Waited” and “The Impossible Girl” whilst Martha was conveniently skipped in the companion lineup. The fandom’s bias still shines clearly in favour of Rose over Martha. Rose’s jealousy towards other women is justifiable and just the ups and downs of a 19-year-old whilst Martha’s is entitled bitterness. Rose’s flaws are compelling character moments and depth, Martha’s are “holding her back from being a good companion”. Hell, even Donna calling out Ten’s BS was entertaining accountability whilst Martha was just the angry Black woman. Fans will weaponise Rose’s working-class roots to imply a pro-Martha bias, failing to acknowledge the working-class to poor background of the average Black Brit, the anti-blackness middle-class Black people are not spared from, the many working-class Black characters of the show like Mickey, Bill, Rigsy and Ryan or how most fans don’t consider Martha middle class because she doesn’t fit the white British cultural stereotypes. You can’t be the most loved and hated at the same time. The hard truth is Billie Piper wasn’t racially abused by Martha stans but Freema was absolutely racially abused by Rose’s and the effects of this are still around. Go into Martha Jones tags today and you’ll see snarky posts of how Ten could never love another companion like Rose. Even when Freema bravely shared her experiences of literal racism, fans were quick to yell “But I wanted Ten and Rose though” as a justification for years of misogynoir. Again, we need to address the elephant in the room instead of covering our eyes and ears to act like it’s not there. A Black character and actress was collateral damage in order for a popular white ship to rise and whilst I’m not an anti, I as a Black Doctor Who fan, I’ll never be a supporter. At the end of the day, only one of these actresses is still carrying the burden of misogynoir over 10 years since RTD1 ended. A lonely walk across the Earth yet again.
Chapter 3 - Martha vs Bill
Moffat took us to a Bristol university in 2017, to meet the bright, friendly, chip-serving Bill Potts, the first Black lesbian companion of Doctor Who. Bill’s entrance wasn’t met with sunshine and rainbows either, with complaints of “PC agendas” and the accusation of her sexuality being “shoved down our throat” following her throughout Series 10. She was often called annoying and accused of being too angry. Her outbursts at Twelve weren’t fully well received, despite them only happening as a response to being emotionally manipulated and being shot and converted into a Cyberman against her will. Overreactions, right? That being said, Bill seems to have a more positive reception than Martha did and this can be pointed towards the writing. Moffat decided S10 would focus on Bill’s race and had the 12th Doctor bravely punch Sutcliff after his anti-black comments about her. This was mostly well received by the fandom and the Doctor was praised for taking initiative. How I feel about this scene and how Doctor Who handles race can be explained in way more detail for later but I can sum it up by saying I didn’t hate the scene: but I don’t love it either. The racism Bill receives is barely mentioned again apart from a small comment in Oxygen, plus I see this scene constantly used to shut down any valid criticism about how race was handled in the Moffat era. Twelve is centred in this scene, not Bill. The fact this scene is referred to as “Twelve punches the racist” and not “Bill experienced racism” speaks for itself.
Leading back to Martha, a weird parallel is made between her and Bill. Yes, RTD and Moffat are different people who wrote different people but a parallel is there regardless; A brown-skinned woman expected to defend and save her white male incarnation whilst barely praised for it and constantly compared to her blonde white female predecessor, versus, the light-skinned woman who was actually defended by her white male incarnation. It’s not the best look. The show set up the parallel by having Bill reference Martha’s butterfly effect conversation with Ten and the fandom carried this on. As much as I love Bill, her being held up as the Black companion “done right” has always felt wrong because not only are there critiques to be made about Moffat’s handling of Black characters too (Danny Pink anyone?), it reinforces Martha as the “failed” Black companion. “Moffat wrote Bill to do XYZ whilst RTD wrote Martha to do ABC” became “Bill did this and Martha didn’t so Bill was better Black representation!” Bill spoke about racism and Martha didn’t (even though she did in Shakespeare Code and Human Nature/Family of Blood), Bill wore her natural hair and Martha didn’t (even though Freema didn’t control the costumes), Bill did everything right (as if Martha did everything wrong).
Bill being placed on the pedestal of the “perfect Black companion” not only erases the antiblackness her character also experienced but reinforces how her darker counterparts, Martha, Mickey and Ryan, “fail” in comparison and “fail” in their Blackness, over reasons the characters nor actors themselves had any control over. It really begs the question of how different Bill would’ve been treated if she was darker, but I guess we’ll never know. If we’re gonna praise and uplift POC in Doctor Who, specifically Black characters, we need to uplift them in all shades. Only supporting the lightest person in the room whilst saying they’re better than the darker ones is not the anti-racist serve this fandom thinks it is.
Chapter 4 - Martha Triumphant?
I want to say the show and fandom have improved how they treated Black characters since what happened to Martha/Freema but it hasn’t. From the backhanded praise of Bill, to the allegations of Tosin Cole being a “diversity hire”, to the dozens of excuses of why Jo Martin’s Doctor being reduced to cameos was somehow great Black female representation, it’s clear the “we love Martha” tweets aren’t enough. It’s a chicken or egg situation where I wonder was it the bias of the fandom being confirmed by the writing or the writing confirming the biases of the fandom but would that matter? Freema’s treatment isn’t exclusive to her as so many Black actors have come forward about the racism they’ve experienced and the failure of cast, crew and fandom to protect them. Many fans blatantly said RTD had no responsibility whatsoever to protect Freema and how poor Russell can’t be blamed for how people read S3.. even though he wrote it… so I’m already sceptical about how RTD2’s Black representation will turn out. I won’t be extra pessimistic, but I’m not patting RTD’s back just yet. Hope however does come in the shape of Ncuti Gatwa, the first Black man to play the Doctor in the main lineup. Again, not patting any backs just yet but I hope Ncuti’s welcome and the welcome of the next Black companion after Ryan shows growth from 2007. A Black character admired and adored for what they bring to the table. No backhanded comparisons to whoever came before, no companion initiation arc and no consolation prize ships - a developed character given the same TARDIS etiquette as the others. I hope the history of the next Black companion, whoever they may be, is a kinder one.
